Yoga Behind Bars

Now that yoga is the big thing in fitness — with hot yoga, power yoga, rejuvenating yoga and all sorts of other varieties — it is no surprise that yoga has catapulted past wellness centers into gyms. But it might be a surprise to some that it has finally made it into prisons.

A recent article by Mary Polon in The New York Times points out "When many states have cut.. programs for inmates, citing cost and political pressures, some wardens looking for a low-cost, low-risk way for inmates to reflect on their crimes, improve their fitness and cope with the stress of overcrowded prison life are turning to yoga."  Hey you only need loose fitting clothing and mats.  Particularly if your teachers are volunteers.

This picture is from one across the country where women center themselves.  There are 20 or so yoga programs in California alone; and while programs have not yet been tracked; more and more are bound to crop up.  Men and women behind bars are getting in on the practice as a way to learn patience, quiet their minds and deal with the stresses of isolation and prison.

In one male program, says The Times, prisoners helped each other do handstands. "Then, after 90 minutes of class, one hit the light switch. In the pitch-black room, the men lay on their backs," and the teacher "led them in breathing exercises."

Most people don't realize how radical this is inside a prison.  Having lights out in a group of prisoners takes enormous trust.  There is so much fear that "You have to watch your back,"and many prisoners are terrified to lie down in a group or close their eyes at night, worrying that something could happen to them.  These fears, of course, are not always unfounded. Getting to a deep level of quiet and calm is a great success.  Trusting others is key as good teachers must make their students feel that they are watching out for them, that they are safe.

When I taught at Framingham, I often did breathing exercises with the women before play rehearsals, and at times, they wanted to have their eyes open.  It took a lot for them to breathe slowly, to not break out into laughter, to not be afraid.  But ultimately, as trust got deeper, they did get wonderful benefits from relaxation, which is essentially a kind of meditation in stillness.

Meditation has also gained some new-found cred in prison. In my days, Cheap Shot Howie Carr of the Boston Herald  took down prison meditation with his angry columns, scathing commentaries on the oh-so-many privileges of prisoners. Just after he had gained some traction, it was disappeared.  The fear was always that prisons would look "soft," if they allowed such activities.  

However, according to a 2011 report from the Pew Charitable Trusts, states' spending on corrections has "quadrupled during the past two decades, to $52 billion a year."   Prisons are more willing to try programs that seem a little off the beaten path as long as they have a track record, especially as they want to improve recidivism rates but are desperate to save money.  

Meditation can help with anger, taking responsibility for one's life and as I learned in Sunday School, a willingness to listen to my own "still small voice."  A good NPR  show on meditation in prison can be found here.

While yoga and meditation can't help a prisoner find a job or take away stigma in our society when he returns, it's a great tool.

The House I Live In

If you paid attention to the Boston Globe's recent report of our real life version of the hit HBO show, The Wire, you'd think drugs and gangs were some kind of implicit connection. You'd think the problem begins and ends with low level drug dealers who get into the flashy life style. That's why I was so enlightened when I watched Eugene Jablecki's powerful documentary The House I Live In which reveals the truth about the Drug War, its historical roots and how it plays out in the present.

First and foremost, the film puts a human face on the brutality of drug laws as they currently stand in the U. S. It emphasizes what


Michelle Alexander (The New Jim Crow:  Mass Incarceration in the Age of Colorblindness), David Simon (The Wire), and others write and speak about when they discuss drug policy in the U.S. From the film's website which points out "a vast machine that feeds largely on America’s poor, and especially on minority communities. Beyond simple misguided policy, The House I Live In examines how political and economic corruption have fueled the war for forty years, despite persistent evidence of its moral, economic, and practical failures."

Organizations like Families Against Mandatory Minimum have been working for years to end policies that the film highlights. When poverty leads to no jobs and people of color try to survive by selling drugs, where do we start to make change?  Many politicians never get past the tip of this iceberg because the depth of the problem is not acknowledged.  The film explores how these realities sell votes in this country where "tough on crime" is a mantra chanted by the Democrats as well as the Republicans. It is a film that lawmakers need to see so they stop mandatory minimum sentences for drug crimes.

The film also shows something that opened my eyes: overdoing drugs such as cocaine and even heroin was once considered a public health problem rather than a need for criminal prosecution.

On a personal note, Eugene Jarecki, the filmmaker and producer– supported in his producing efforts by such powerhouses as Danny Glover, John Legend and Brad Pitt –frames the film with a black housekeeper who worked for his family, Nanny Jeter.  The difference between his upbringing and survival chances and her son's are heartbreaking.  For those of us who know what it is to come from privilege, the difference in these chances in life only emphasize more clearly the devastation of Drug War policies.  Nanny was offered double her salary to follow Jarecki's family from Connecticut to New York.  Desperate for money, she did, and her son paid the price.  But it was our society that created much of the poverty and drug traps her son stepped into.

At a recent showing at Shiloh Church in Washington D.C., a panel speaker said after the film that Rosa Parks was the icon of the Civil Rights movement and Nanny Jeter, the icon of the Drug War.  U.S. Congresswoman Maxine Waters said the film showing was the most important event happening last weekend in Washington D.C. besides the inauguration of President Obama  This discussion is still available here.

The film can be screened at home streaming from your computer or you can catch a showing in a city near you.  Either way, options are shown at the film's website.  It's probably one of the most important documentary experiences I've had.  Watch it.

Behind Bars and Blogging For Human Rights

My contribution for Martin Luther King day is a blog I wrote for the Rag Blog in Texas. MLK Day reminds us about fighting for human rights. It might seem like an oxymoron, convicted criminals blogging for dignity, equality, and inalienable rights, but here’s why it’s not.

Please check it out here

Beyond Bars: The Shakespeare Prison Project in Wisconsin

Hand it to Jonathan Shailor to not sit around while program big wigs decide whether or not he can go back inside with his important theatre work behind bars (See "Are You Kidding Me?" in the Archives).  He launched The Shakespeare Prison Project: Beyond Bars on January 13th, 2013, at the Rita Tallent Pickens Center for the Arts and Humanities at the University of Wisconsin-Parkside.

What is perhaps most touching to me is not that former prisoner, Nick Leair, joined guest actors onstage to perform scenes from The Tempest and Henry IV, Part 2, but that is daughter, Ally not only saw him perform in Beyond Bars this week but in The Tempest  when he was incarcerated.

Here Leair is with his daughter now and before he was released

    

Shailor wrote:  "Ally joined us on stage during the talkback. I asked her what her main impression of her Dad was back in 07 when she saw him perform for the first time. She said, 'He looked happy.'  Then she proudly took the stage and read the prologue from one of her Dad's favorite plays: Romeo and Juliet.  Two other former…Shakespeare Project participants attended the program and joined in the discussion. All of them are doing well–reconnected with family, employed or in school. They credit their experience with The Shakespeare Project as an important element in the building of new identities and productive lives."

This reminds me of how much we give and get from the people we work with behind bars.  Next week I will be seeing a woman I worked with over twenty years ago at Framingham Women's Prison.  How much the connections endure and this is because the work allows people to dig deep into themselves and to learn something new be it about themselves and/or about the world.  Them, for sure; us, the teachers, as well.  As I said in Shakespeare Behind Bars, the performance of the Bard offers prisoners access to a world many never thought was part of their lives.  If one can tackle Shakespeare, one can tackle anything.

I encourage blog readers to contact the WISCONSIN DEPARTMENT OF CORRECTIONS SECRETARY EDWARD WALL AND TELL HIM THAT YOU SUPPORT THIS WORK!  

PHONE: 608-240-5055  and EMAIL: edward.wall@wi.gov